
These mp3 samples are provided for research. Citations should credit Randall Keith Horton. An email address and website link are posted, below. Posting dates: 12/11/‘11 (mp3 audio postings 1, 2 & 3); 12/29/’17 (mp3 audio postings 4, 5, & 6).
The complete strophic hymn melody, Abide with Me (Eventide), is sub-structural to (embedded within) each of the six rondo sections (strophic variations) in the fourth-movement finale, Adagio, of Gustav Mahler’s Ninth Symphony (his last completed work). One hundred years transpired between the 1912 world premiere of the Ninth (by the Vienna Philharmonic Orchestra, conducted by Bruno Walter) and the issuance of the newly-published article about the hymn’s discovery in the finale (2012). Please visit the following link, where the full article can be accessed:
REPRESENTATIVE EXAMPLES
( consonant and dissonant sonorities are the result of text - related word painting )
( consonant and dissonant sonorities are the result of text - related word painting )
THE FIRST RONDO (MM 3 -12)
SECOND RONDO (MM 17 -27)
THIRD RONDO AND OVERLAPPING/DOVETAILING TRANSITION
(MM 49 - 59) RONDO AND DOVETAILED (MM 56 - 64) TRANSITION ( M. 64, then, starts another, harmonically shifting occurrence on the Rondo. )
RONDO No. 4
Chromatic/melodic interpolation
between 0:53 and 1:17
(mm 64-77)
SECOND RONDO (MM 17 -27)
THIRD RONDO AND OVERLAPPING/DOVETAILING TRANSITION
(MM 49 - 59) RONDO AND DOVETAILED (MM 56 - 64) TRANSITION ( M. 64, then, starts another, harmonically shifting occurrence on the Rondo. )
RONDO No. 4
Chromatic/melodic interpolation
between 0:53 and 1:17
(mm 64-77)
RONDO No. 5
highly chromatic
(mm 126-136)
highly chromatic
(mm 126-136)
RONDO No. 6
highly chromatic
(mm 138-148)
To respond, please contact: randall@americanmusictv.org
The performing orchestra is the New York Philharmonic, Leonard Bernstein, conductor. SMK 60597:
Brief excerpts; commentary / annotation, analysis, in research-oriented / educational Fair-Use contexts.
Website:
www.americanmusictv.org